"Tema Principal (de "De Regreso a Brideshead") - Instrumental" by Philharmonia, Geoffrey Burgon was released on August 7, 2012. The duration of Tema Principal (de "De Regreso a Brideshead") - Instrumental is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Tema Principal (de "De Regreso a Brideshead") - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Mejores Temas Televisión, so we believe that "Tema Principal (de "De Regreso a Brideshead") - Instrumental" is a single. In terms of popularity, Tema Principal (de "De Regreso a Brideshead") - Instrumental is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tema Principal (de "De Regreso a Brideshead") - Instrumental by Philharmonia, Geoffrey Burgon is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss Concerto: III | Richard Strauss, Leon Goossens, Alceo Galliera, Philharmonia | D Major | 2 | 10B | 83 BPM | ||
Concerto for violin and orchestra (cpted. Milos Stedron & Leos Faltus: 1988): Andante | Leoš Janáček, Christian Tetzlaff, Philharmonia Orchestra, Libor Pešek, Philharmonia | A♭ Major | 3 | 4B | 77 BPM | ||
Concerto for violin and orchestra (cpted. Milos Stedron & Leos Faltus: 1988): Allegro | Leoš Janáček, Christian Tetzlaff, Philharmonia Orchestra, Libor Pešek, Philharmonia | F♯ Major | 1 | 2B | 105 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Kinderszenen, Op. 15, No. 7: Träumerei | Slovak State Philharmonic Orchestra, Christian Ehwald | F Major | 0 | 7B | 75 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM | ||
Piano Concerto No. 4 in G Minor, Op. 40: 3. Allegro vivace | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | G Minor | 1 | 6A | 91 BPM | ||
브람스 : Waltz In A-Flat Major | Five Sense | A♭ Major | 1 | 4B | 92 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | D Major | 1 | 10B | 130 BPM | ||
Trumpet Concerto in E-Flat Major, Hob.VIIe:1: IV. Allegro | Joseph Haydn, John Wallace, Christopher Warren-Green, Philharmonia | E♭ Major | 2 | 5B | 132 BPM |
Section: 0.804804801940918
End: 0.8197388648986816