"If You Were The Only Boy - 2005 Digital Remaster" by Nat D. Ayer, Clifford Grey, Bernadette Peters, Marvin Laird was released on January 1, 2005. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Sondheim, Etc., Etc. Bernadette Peters Live At Carnegie Hall (The Rest Of It)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. If You Were The Only Boy - 2005 Digital Remaster is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With If You Were The Only Boy - 2005 Digital Remaster by Nat D. Ayer, Clifford Grey, Bernadette Peters, Marvin Laird having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cabaret: Married | John Kander, Lotte Lenya, Jack Gilford, Harold Hastings | A♭ Major | 1 | 4B | 110 BPM | ||
With Every Breath I Take | Kay McClelland | G Minor | 2 | 6A | 80 BPM | ||
Overture / Austerity Britain | The Betty Blue Eyes Orchestra | D Major | 5 | 10B | 119 BPM | ||
Give My Regards to Broadway | Joel Grey, George M! Ensemble | C Major | 5 | 8B | 137 BPM | ||
No One Has Ever Loved Me | Original Broadway Cast Of 'Passion' | C Major | 0 | 8B | 117 BPM | ||
She Loves Me | Daniel Massey | A♭ Major | 3 | 4B | 100 BPM | ||
The Other Side of the Tracks | Virginia Martin | A Major | 1 | 11B | 87 BPM | ||
If You Hadn't But You Did - 1951 Original Broadway Cast (2001 Reissue) | Jule Styne, Betty Comden, Adolph Green, Dolores Gray | G Minor | 2 | 6A | 138 BPM | ||
I Cannot Hear the City | Jack Noseworthy, Marvin Hamlisch | F Major | 2 | 7B | 135 BPM | ||
We're In The Money (Gold Diggers Song) | Club Nostalgia | F♯ Major | 5 | 2B | 172 BPM |
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