"Boito: Mefistofele, Prologue: "Ave, Signor" (Mefistofele)" by Arrigo Boito, Norman Treigle, Julius Rudel, London Symphony Orchestra was released on 1974. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 36 in Boito: Mefistofele by Arrigo Boito, Plácido Domingo, Julius Rudel. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Boito: Mefistofele, Prologue: "Ave, Signor" (Mefistofele) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Boito: Mefistofele, Prologue: "Ave, Signor" (Mefistofele) by Arrigo Boito, Norman Treigle, Julius Rudel, London Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Don Quichotte, Act 1: "Alza ! Quand la femme a vingt ans" (Dulcinée, Pedro, Garcias, Rodriguez, Juan, Chœur) | Jules Massenet, Teresa Berganza, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Eugene Onegin, Op.24, TH.5 / Act 1: "Kogda bi zhizn domashnim krugom" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Orchestre de Paris, Semyon Bychkov | D Major | 1 | 10B | 80 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Samson, recherchant ma présence ... Amour, viens aider ma faiblesse" | Camille Saint-Saëns, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 176 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Da zu dir der Heiland kam" | Richard Wagner, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 77 BPM | ||
Gounod : Faust : Act 1 "Ainsi que la brise légère" [Siébel, Faust, Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 217 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Francesca da Rimini, Op. 4: Perché volete voi ch'io rinnovi | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Capella Cracoviensis, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F Major | 1 | 7B | 169 BPM | ||
Boccaccio: Hab'ich nur deine Liebe | Franz von Suppé, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Egli s'avanza...Lucia, perdona se ad ora inusitata" (Alisa, Edgardo, Lucia) | Gaetano Donizetti, Anna Maria Canali, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Minor | 2 | 7A | 86 BPM |
Section: 0.7690427303314209
End: 0.773282527923584