Traditional, Amadinda Percussion Group's 'Otea' came out on July 15, 2014. Since Otea is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Amadinda Percussion Group's "Hollo / Vaczi: Before John" album is number 7 out of 14. On top of that, Hungary appears to be the country where this track was created. Based on our statistics, Otea's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Otea by Traditional, Amadinda Percussion Group to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
A Prayer of Desmond Tutu | James Whitbourn, Desmond Tutu, Commotio, Andrew Ker, Steffan Jones, Matthew Berry | D Major | 1 | 10B | 92 BPM | ||
Sitivit anima mea (Live) | Richard Burchard, Riverside City College Chamber Singers, John Byun | E♭ Major | 0 | 5B | 135 BPM | ||
Holy God | Credo Chamber Choir | B Major | 1 | 1B | 132 BPM | ||
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | ||
Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
Lieder ohne Worte, Op. 30: No. 3 in E Major, Adagio non troppo, MWV U 104 (Arr. H. Villa-Lobos for Choir) | Felix Mendelssohn, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | E♭ Major | 0 | 5B | 75 BPM | ||
Holy Spirit Mass: Peace | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | A Minor | 1 | 8A | 94 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Pre-Eternal Counsel | Men's Choir of the Valaam Singing Culture Institute | E♭ Minor | 1 | 2A | 140 BPM |
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