Silvius Leopold Weiss, Michel Cardin made "Bouree in B-Flat Major, WeissSW 4.4" available on January 1, 2015. The duration of Bouree in B-Flat Major, WeissSW 4.4 is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Bouree in B-Flat Major, WeissSW 4.4's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #179 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Bouree in B-Flat Major, WeissSW 4.4 is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Bouree in B-Flat Major, WeissSW 4.4 by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Bouree in B-Flat Major, WeissSW 4.4 being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 1 | 11A | 94 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 10 Allegretto, n. 11 Allegretto, n. 12 Andante | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Suite in C Minor from Ms. Lobkowicz: V. La volage Passacaille | Charles Mouton, Anders Ericson | B Minor | 1 | 10A | 103 BPM | ||
Sarabanda per la B | Francesco Corbetta, Rolf Lislevand | B Major | 1 | 1B | 140 BPM | ||
L'amant content: Canarie | Francesca Torelli, Charles Mouton | F♯ Minor | 0 | 11A | 109 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
[Suite en la majeur]: VIII. 2e Menuet (No. 24) & Double (No. 25) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 85 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
Lute Sonata No. 9: IV. Sarabanda | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 0 | 12A | 83 BPM |
Section: 0.5992062091827393
End: 0.6040043830871582