"3 Rapsodies sur des cantiques bretons, Op. 7: II. Allegro moderato e pomposo" by Camille Saint-Saëns, Hans Fagius was released on October 31, 1992. With this song being about 5 minutes long, at 4:52, "3 Rapsodies sur des cantiques bretons, Op. 7: II. Allegro moderato e pomposo" by Camille Saint-Saëns, Hans Fagius is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Saint-Saens: Symphony No. 3 / Dance Macabre / Bacchanale / 3 Rhapsodies". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. 3 Rapsodies sur des cantiques bretons, Op. 7: II. Allegro moderato e pomposo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Rapsodies sur des cantiques bretons, Op. 7: II. Allegro moderato e pomposo by Camille Saint-Saëns, Hans Fagius having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Raymonda, Op. 57: Prélude et la Romanesca | Alexander Glazunov, Xavier De Maistre, Nathalie Stutzmann, WDR Sinfonieorchester | E Minor | 3 | 9A | 104 BPM | ||
Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28 | Camille Saint-Saëns, Min Kym | A Minor | 1 | 8A | 90 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 2 | 4A | 158 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM |
Section: 0.7153117656707764
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