"Stabat Mater, Op. 45: II. Antiphona" by Manuel Ruiz Del Corral, Varanus Ensemble had its release date on April 27, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Manuel Ruiz Del Corral, Varanus Ensemble, Nicolas Bacri's "Magnificat: Choral Works of Nicolas Bacri and Manuel Ruiz del Corral" album is number 2 out of 7. On top of that, Switzerland appears to be the country where this track was created. Stabat Mater, Op. 45: II. Antiphona is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater, Op. 45: II. Antiphona by Manuel Ruiz Del Corral, Varanus Ensemble to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois chansons M. 69: II. Trois beaux oiseaux du paradis | Maurice Ravel, Netherlands Chamber Choir | E Major | 3 | 12B | 78 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): IV. Sanctus | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | D♭ Minor | 2 | 12A | 116 BPM | ||
Pacem | Don MacDonald, Allison Girvan | B♭ Minor | 1 | 3A | 139 BPM | ||
Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM | ||
You Can Never Be A Priest | Alex Heffes | D Minor | 1 | 7A | 76 BPM | ||
歡呼響徹雲霄 | HOYO-MiX | E Major | 7 | 12B | 140 BPM | ||
Hymns & Variations: Hymn B (After W. Billing's "Heath") | John Cage, Latvian Radio Choir, Sigvards Kļava | D Minor | 0 | 7A | 80 BPM | ||
Suite Nordestina: III. Bumba chora | Ronaldo Miranda, Cheng Man Wai, Cantoría Hong Kong, John Winzenburg | B♭ Minor | 1 | 3A | 76 BPM |