On April 5, 2011, the song "Sei Lob und Ehr dem hochsten Gut, BWV 117: Ich rief dem Herrn in meiner Not (Chorus)" was released by Johann Sebastian Bach, Robin Blaze, Satoshi Mizukoshi, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki. With Sei Lob und Ehr dem hochsten Gut, BWV 117: Ich rief dem Herrn in meiner Not (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 25 in Bach: Cantatas, Vol. 48 by Johann Sebastian Bach, Bach Collegium Japan Chorus, Masaaki Suzuki. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Sei Lob und Ehr dem hochsten Gut, BWV 117: Ich rief dem Herrn in meiner Not (Chorus) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sei Lob und Ehr dem hochsten Gut, BWV 117: Ich rief dem Herrn in meiner Not (Chorus) by Johann Sebastian Bach, Robin Blaze, Satoshi Mizukoshi, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM |
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