Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Concentus Musicus Wien made "Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 53, Rezitative und Chor. "Da nahmen die Kriegsknechte"" available on January 1, 2001. With Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 53, Rezitative und Chor. "Da nahmen die Kriegsknechte" being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 53 out of 68 in Bach, JS: St Matthew Passion, BWV 244 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 53, Rezitative und Chor. "Da nahmen die Kriegsknechte" is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 53, Rezitative und Chor. "Da nahmen die Kriegsknechte" by Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Concentus Musicus Wien is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: V. Gavottes I & II | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 81 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VI. Notturno | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | E Major | 0 | 12B | 89 BPM | ||
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith") | George Frideric Handel, Philip Edward Fisher | E Major | 1 | 12B | 126 BPM |
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