"Psalmodies Suite: II. Cadenza for One" by Poul Ruders, Jesper Sivebæk was released on September 30, 2008. The duration of Psalmodies Suite: II. Cadenza for One is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Psalmodies Suite: II. Cadenza for One's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Ruders, P.: Guitar Works - Psalmodies Suite / Chaconne / Jargon". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Psalmodies Suite: II. Cadenza for One's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Psalmodies Suite: II. Cadenza for One by Poul Ruders, Jesper Sivebæk having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47: Act II: Prelude | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
The Wave of the Surging Thoughts: III. Song Without Words. Passion and Emotion | Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza | F Major | 2 | 7B | 166 BPM | ||
Ein deutsches Requiem, Op. 45: Denn wir haben hie keine bleibende Statt - Arr. for Voices and 2 Pianos | Johannes Brahms, Konrad Jarnot, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | ||
The Purple Jack - Largo Terminale | Ola Kvernberg, Trondheim Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
歌曲集《シェエラザード》: 第2曲: 魔法の笛 | Maurice Ravel, スーザン・グラハム, Saito Kinen Orchestra, Seiji Ozawa | F♯ Minor | 0 | 11A | 66 BPM | ||
Oboe Concerto: II. Ocean of Storms (Turbinoso) | Poul Ruders, Liang Wang, Alan Gilbert, New York Philharmonic | A♭ Major | 1 | 4B | 68 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 10, Waltz | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | D♭ Major | 4 | 3B | 81 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B♭ Minor | 3 | 3A | 90 BPM | ||
Prometheus: III. According to the Third... | Geoffrey Gordon, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane | A Major | 1 | 11B | 81 BPM | ||
Reveille - Retraite: Retraite | Poul Ruders, Håkan Hardenberger | F Major | 0 | 7B | 170 BPM |
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