"終わりのアリア" by Keiichiro Shibuya, Miku Hatsune had its release date on November 27, 2013. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 15 out of 15 in ATAK020 THE END by Keiichiro Shibuya, Miku Hatsune. Based on our statistics, 終わりのアリア's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 終わりのアリア by Keiichiro Shibuya, Miku Hatsune is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
月の光 | Claude Debussy, Irina Mejoueva | D♭ Major | 0 | 3B | 71 BPM | ||
Moments Musicaux - Prelude | 阿部海太郎 | F♯ Major | 0 | 2B | 71 BPM | ||
ラズベリー | Tico Moon, Mimori Yusa | B Minor | 2 | 10A | 144 BPM | ||
花の雨 | Yoko Komatsu | C Major | 2 | 8B | 173 BPM | ||
いつも通り過ぎていく | 角銅真実 | B♭ Major | 0 | 6B | 84 BPM | ||
March 24th, 2021 | Zmi | C Major | 3 | 8B | 81 BPM | ||
オープニングタイトル | yuma yamaguchi | A Major | 3 | 11B | 96 BPM | ||
寄り道 | 角銅真実 | B♭ Major | 1 | 6B | 118 BPM | ||
Mom Piano | Motohiro Nakashima | C Major | 0 | 8B | 83 BPM | ||
アワーミュージック | Soutaiseiriron, Keiichiro Shibuya | E Major | 6 | 12B | 98 BPM |