Hans-Herbert Fiedler, Mathieu Ahlersmeyer, Margarete Teschemacher, Angela Kolniak, Elisabeth Waldenau, Paul Schöffler, Hannerle Franck, Carl Wessely, Maria Cebotari, Kurt Böhme, Chor Und Orchester Des Reichssenders Stuttgart, Hubert Buchta's 'Holla, holla, Leute, Leute! (Die Hochzeit des Figaro)' came out on September 6, 2006. With this song being about 5 minutes long, at 4:54, "Holla, holla, Leute, Leute! (Die Hochzeit des Figaro)" by Hans-Herbert Fiedler, Mathieu Ahlersmeyer, Margarete Teschemacher, Angela Kolniak, Elisabeth Waldenau, Paul Schöffler, Hannerle Franck, Carl Wessely, Maria Cebotari, Kurt Böhme, Chor Und Orchester Des Reichssenders Stuttgart, Hubert Buchta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 31 out of 31 in Die Hochzeit des Figaro by Karl Böhm. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. The popularity of Holla, holla, Leute, Leute! (Die Hochzeit des Figaro) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Holla, holla, Leute, Leute! (Die Hochzeit des Figaro) by Hans-Herbert Fiedler, Mathieu Ahlersmeyer, Margarete Teschemacher, Angela Kolniak, Elisabeth Waldenau, Paul Schöffler, Hannerle Franck, Carl Wessely, Maria Cebotari, Kurt Böhme, Chor Und Orchester Des Reichssenders Stuttgart, Hubert Buchta is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Aus dem Keller kommt hervor, Geister des Weines!" | Jacques Offenbach, Orchester der Deutschen Oper Berlin, Richard Kraus, RIAS Kammerchor, Günther Arndt | C Major | 3 | 8B | 120 BPM | ||
Clivia: Dialog | Nico Dostal, Anneliese Rothenberger, Fritz Schroder-Jahn, Walter Giller, Hans-Herbert Fiedler, Rupert Glawitsch, Erwin Linder, Maria Madlen Madsen, Gisela Peltzer, Heinz Klevenow, Richard Munch, Adolf Meyer-Bremen, Gerd Martienzen, Harald Paulsen, North German Radio Chorus, Hamburg Radio Orchestra, Wilhelm Stephan | B♭ Major | 4 | 6B | 81 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
Tausend und eine Nacht (arr. E. Reiterer): Dialog | Johann Strauss II, Ernst Reiterer, Helmut Krebs, Franz Schafheitlin, Otto Albrecht, Horst Beck, Anneliese Rothenberger, Inge Bruckelmeier, Josef Dienstbier, Jacques Offenbach, Rita Streich, Dagmar Altrichter, Josef Olah, Heinz Klevenow, Hans-Herbert Fiedler, Josef Dahmen, Ursula Zollenkopf, Gustl Busch, Hannelore Schmidt, Marion Molitor, Gudrun Thielemann, Eduard Marks, Kurt Klopsch, Erwin Walter Zipser, Hamburg Radio Chorus, Hamburg Radio Orchestra, Wilhelm Stephan | A♭ Major | 4 | 4B | 80 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
La forza del destino, Act III, Scene III: Rataplan | Giuseppe Verdi, Anna Maria Chiuri, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
Akt I: Titurel, der fromme Held | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM |
Section: 0.7696328163146973
End: 0.7842316627502441