"Cuarto Domingo Después de Pascua: Aleluya: Christus Resurgens (1er. modo)" by Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard was released on January 1, 1962. The duration of Cuarto Domingo Después de Pascua: Aleluya: Christus Resurgens (1er. modo) is about 3 minutes long, at 3:08. Based on our data, "Cuarto Domingo Después de Pascua: Aleluya: Christus Resurgens (1er. modo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 16 in Chant Gregorien: Misas del Tiempo Pascual, 2º, 4º y 5º Domingos Después de Pascua by Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Cuarto Domingo Después de Pascua: Aleluya: Christus Resurgens (1er. modo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cuarto Domingo Después de Pascua: Aleluya: Christus Resurgens (1er. modo) by Popular, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa: Gloria, Modo IV | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F Minor | 0 | 4A | 127 BPM | ||
Nolite Timere | Benedictine Monks of St. Wandrillede Fontonelle | D Major | 0 | 10B | 179 BPM | ||
Ángelis suis (1) | Gloriae Dei Cantores, Richard Cragg, Elizabeth C. Patterson | D Major | 2 | 10B | 101 BPM | ||
Requiem | Pope Gregorius, Ensemble de Venasque | D Major | 1 | 10B | 79 BPM | ||
Canto Gregoriano V, Tiempo Pascual: Ecce panis - Remastered | Coro De La Abadía Benedictina De Santo Domingo De Silos | A♭ Major | 1 | 4B | 106 BPM | ||
Canto Gregoriano V, Tiempo Pascual: Salve festa dies - Remastered | Coro De La Abadía Benedictina De Santo Domingo De Silos | E♭ Major | 2 | 5B | 172 BPM | ||
Laeta Dies Magni Ducis | Monks And Choir Boys Of Downside Abbey | D♭ Minor | 1 | 12A | 76 BPM | ||
Veni Veni Emmanuel | The Schola Cantorum of St. John XXIII Parish | C Major | 2 | 8B | 79 BPM | ||
Come, Bow Down Before Christ | "Drevnerussky Rospev" Male Choir | D♭ Major | 0 | 3B | 71 BPM | ||
Service Of St. Benoit / Refrain | Canto Gregoriano | F Major | 0 | 7B | 72 BPM |
Section: 0.5335006713867188
End: 0.5370402336120605