Johann Sebastian Bach, Joshua Ranz made "Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude" available on April 23, 2021. The duration of Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Joshua Ranz's "J.S. Bach: 3 Cello Suites (Arr. J. Ranz for Bass Clarinet)" album is number 1 out of 18. The popularity of Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Ranz for Bass Clarinet): I. Prelude by Johann Sebastian Bach, Joshua Ranz to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
巴哈: 醒來吧, 沉睡者, BWV 645 | 古典 舒心貴族音樂 | D Major | 1 | 10B | 108 BPM | ||
Invention in F Major, Bwv 779 | Bach to Bonkers | F Major | 1 | 7B | 113 BPM | ||
Missa in G Minor, BWV 235: I. Kyrie | Johann Sebastian Bach, Philippe Pierlot, Carlos Mena, Anna Zander, Maria Keohane, Ricercar Consort, Hans-Jörg Mammel, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Double Concerto: I. Introduction - Live | Astor Piazzolla, Sébastien Singer, André Fischer | E Minor | 0 | 9A | 75 BPM | ||
Invention in D Major, Bwv 774 | Bach to Bonkers | E Minor | 0 | 9A | 112 BPM | ||
Matthäus Passion, BWV 244, Pt. 1: I. Chorus with Chorale I/II, Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Rufus Müller, Richard Jackson, Nancy Argenta, Lynda Lee, Jonathan Peter Kenny, Jamie MacDougall, Stephen Varcoe, Paul Goodwin, Jonathan Miller | E♭ Minor | 1 | 2A | 113 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XVIII. Adagio | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E♭ Major | 0 | 5B | 99 BPM | ||
Keyboard Sonata in G Major, Kk. 80 | Domenico Scarlatti, Sang Woo Kang | D Major | 1 | 10B | 101 BPM | ||
Birdlington's Lullaby D | Songs of Birdland | B Minor | 2 | 10A | 112 BPM | ||
Fugue Number 15 | The Piano Girl | B Minor | 4 | 10A | 156 BPM |
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