"L'amico Fritz / Act 1: "Son pochi fiori"" by Pietro Mascagni, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler was released on January 1, 2004. The duration of L'amico Fritz / Act 1: "Son pochi fiori" is about 3 minutes long, at 3:24. Based on our data, "L'amico Fritz / Act 1: "Son pochi fiori"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Maria Chiara's "Maria Chiara: The Decca Recitals" album is number 8 out of 28. L'amico Fritz / Act 1: "Son pochi fiori" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'amico Fritz / Act 1: "Son pochi fiori" by Pietro Mascagni, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | ||
Le grand cahier: I. La forêt et la rivière | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 1 | 9B | 115 BPM | ||
Symphony No. 6 in F, Op.68 'Pastoral': V. Allegretto (Shepherds' Hymn) | Philadelphia Orchestra, Riccardo Muti | C Major | 1 | 8B | 73 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: III. Andante sostenuto | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | A♭ Major | 2 | 4B | 93 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM |
Section: 0.9810209274291992
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