State Academic Symphony Orchestra of the USSR, Yuri Temirkanov's 'Romeo and Juliet Suite' came out on November 28, 2006. With Romeo and Juliet Suite being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Prokofiev: On The Dnieper, Romeo and Juliet Suite, The Year 1941". In this album, this song's track order is #15. The popularity of Romeo and Juliet Suite is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Romeo and Juliet Suite by State Academic Symphony Orchestra of the USSR, Yuri Temirkanov having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, Act II, Scene 13: "Waltz" | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | D Major | 2 | 10B | 105 BPM | ||
Frühlingsstimmen, Op. 410 | Johann Strauss II, Slovak Philharmonic, Noriaki Kitamura | B♭ Major | 0 | 6B | 181 BPM | ||
Concerto per Violino, archi e basso continuo in la minore, A-Moll, op. 3/6: III. Presto | Baroque Festival Orchestra, Alberto Lizzio, Alexander Pervomaysky | A Minor | 3 | 8A | 129 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | ||
Valse-Caprice in E-Flat Major | Anton Rubinstein, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Тарантелла (из балета "Анюта") | Валерий Гаврилин, Ленинградский концертный оркестр, Анатолий Бадхен | F Minor | 4 | 4A | 168 BPM | ||
La Bayadere, Act II: 35. "Entrance and Variation - Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè | B Minor | 0 | 10A | 129 BPM | ||
Carmen / Act 1: Prélude | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | D Minor | 5 | 7A | 125 BPM |
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