Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral's 'Sieben Variationen über dasThema Bei Männern, welche Liebe fühlen aus der oper Die Zauberflöte von W.A. Mozart in E-Flat Major, WoO 46' came out on August 25, 2023. Sieben Variationen über dasThema Bei Männern, welche Liebe fühlen aus der oper Die Zauberflöte von W.A. Mozart in E-Flat Major, WoO 46 appears to be safe for all ages as it is not explicit. The track order of this song in Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral's "Ludwig van Beethoven: Complete Sonatas and Variations for Cello and Piano" album is number 8 out of 20. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Sieben Variationen über dasThema Bei Männern, welche Liebe fühlen aus der oper Die Zauberflöte von W.A. Mozart in E-Flat Major, WoO 46 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sieben Variationen über dasThema Bei Männern, welche Liebe fühlen aus der oper Die Zauberflöte von W.A. Mozart in E-Flat Major, WoO 46 by Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Beethoven: Piano Trio No. 6 in E-Flat Major, Op. 70 No. 2: III. Allegretto ma non troppo | Ludwig van Beethoven, Jacqueline du Pré, Pinchas Zukerman, Daniel Barenboim | A♭ Major | 1 | 4B | 140 BPM | ||
Andante in F Major, WoO 57 "Andante Favori" - Welte-Mignon 837 | Ludwig van Beethoven, Max Pauer, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Rondo a Capriccio in G Major, Op. 129, "Rage over a Lost Penny" | Ludwig van Beethoven, Jenő Jandó | G Major | 2 | 9B | 80 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Trio n°3, Op. 1: II. Andante cantabile con variazoni | Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez | E Minor | 4 | 9A | 93 BPM |
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