"The Orient Express" by Richard Rodney Bennett was released on January 21, 2003. The Orient Express appears to be safe for all ages as it is not explicit. The track order of this song in Richard Rodney Bennett's "Murder On The Orient Express - Original Soundtrack" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of The Orient Express is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Orient Express by Richard Rodney Bennett to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Here Come the Waves, Let's take the long way home: Let's take the long way home | Richard Rodney Bennett | E Minor | 4 | 9A | 83 BPM | ||
I Keep Going Back to Joe's | Claire Martin, Richard Rodney Bennett | B Major | 1 | 1B | 140 BPM | ||
I Never Went Away | David Linx, Richard Rodney Bennett | B♭ Major | 0 | 6B | 86 BPM | ||
Tales of Beatrix Potter: Introduction & Opening Credits | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 101 BPM | ||
Kern: Nobody Else But Me (from "Show Boat", arr. Rodney Bennett) | Jerome Kern, Richard Rodney Bennett | E Minor | 1 | 9A | 70 BPM | ||
Hetty Wainthropp Investigates (BBC) | Nigel Hess, The London Film Orchestra, Phillip McCann | B♭ Minor | 2 | 3A | 96 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
"Pomp And Circumstance" March No.1 | Edward Elgar, I Salonisti, Thomas Füri, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | D Major | 2 | 10B | 116 BPM | ||
RIO Bravo - Love-Theme | Dimitri Tiomkin, Laurie Johnson, The London Studio Symphony Orchestra, The John McCarthy Singers | F Major | 0 | 7B | 80 BPM | ||
The Verdict | George Fenton | F Minor | 6 | 4A | 116 BPM |
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