The Orient Express - Richard Rodney Bennett Information

Acousticness
47%
Danceability
8%
Energy
19%
Instrumentalness
95%
Liveness
19%
Loudness
66%
Speechiness
4%
Valence
4%
Popularity
Loudness
-20.594 dB

Summary

"The Orient Express" by Richard Rodney Bennett was released on January 21, 2003. The Orient Express appears to be safe for all ages as it is not explicit. The track order of this song in Richard Rodney Bennett's "Murder On The Orient Express - Original Soundtrack" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of The Orient Express is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Orient Express BPM

We consider the tempo marking of The Orient Express by Richard Rodney Bennett to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

The Orient Express Key

This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Here Come the Waves, Let's take the long way home: Let's take the long way home by Richard Rodney BennettHere Come the Waves, Let's take the long way home: Let's take the long way homeRichard Rodney BennettE Minor49A83 BPM
I Keep Going Back to Joe's by Claire Martin, Richard Rodney BennettI Keep Going Back to Joe'sClaire Martin, Richard Rodney BennettB Major11B140 BPM
I Never Went Away by David Linx, Richard Rodney BennettI Never Went AwayDavid Linx, Richard Rodney BennettB♭ Major06B86 BPM
Tales of Beatrix Potter: Introduction & Opening Credits by John Lanchbery, Orchestra of the Royal Opera House, Covent GardenTales of Beatrix Potter: Introduction & Opening CreditsJohn Lanchbery, Orchestra of the Royal Opera House, Covent GardenD Major210B101 BPM
Kern: Nobody Else But Me (from Kern: Nobody Else But Me (from "Show Boat", arr. Rodney Bennett)Jerome Kern, Richard Rodney BennettE Minor19A70 BPM
Hetty Wainthropp Investigates (BBC) by Nigel Hess, The London Film Orchestra, Phillip McCannHetty Wainthropp Investigates (BBC)Nigel Hess, The London Film Orchestra, Phillip McCannB♭ Minor23A96 BPM
Cavalleria rusticana: Intermezzo sinfonico by Pietro Mascagni, Staatskapelle Dresden, Silvio VarvisoCavalleria rusticana: Intermezzo sinfonicoPietro Mascagni, Staatskapelle Dresden, Silvio VarvisoF Major07B88 BPM
"Pomp And Circumstance" March No.1Edward Elgar, I Salonisti, Thomas Füri, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner GigerD Major210B116 BPM
RIO Bravo - Love-Theme by Dimitri Tiomkin, Laurie Johnson, The London Studio Symphony Orchestra, The John McCarthy SingersRIO Bravo - Love-ThemeDimitri Tiomkin, Laurie Johnson, The London Studio Symphony Orchestra, The John McCarthy SingersF Major07B80 BPM
The Verdict by George FentonThe VerdictGeorge FentonF Minor64A116 BPM
ISRC
USKO10502769
Label
L-M Records/RCA Records

Section: 0.6815764904022217

End: 0.685211181640625