Holger Simon Paulli, Edvard Helsted, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen made "Flower Festival in Genzano: Pas de deux: First Gentleman's solo" available on January 1, 2005. With Flower Festival in Genzano: Pas de deux: First Gentleman's solo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 20 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Flower Festival in Genzano: Pas de deux: First Gentleman's solo is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Flower Festival in Genzano: Pas de deux: First Gentleman's solo by Holger Simon Paulli, Edvard Helsted, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kermesse in Bruges , "The Three Gifts": Act II Scene 1: Marchen and Johanna with Mirewelt | Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen | A Major | 0 | 11B | 128 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM | ||
Les Sylphides: 1. Prélude in A major, Op. 28, No. 7 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 131 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
Bournonville for Brass (Arr. for military band by Mogens Andresen) | Edvard Helsted, Holger Simon Paulli, Herman Severin Løvenskiold, Johann Peter Emilius Hartmann, Niels Gade, Hans Christian Lumbye, Prinsens Musikkorps, Henrik Vagn Christensen | G Major | 0 | 9B | 121 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
Walpurgis Night. Ballet music from Faust Bacchante’s Variations | Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic | G Major | 0 | 9B | 79 BPM | ||
Cinderella, Op. 87: 16. Winter Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | C Major | 1 | 8B | 118 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Allegretto: First Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 119 BPM |
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