François Couperin, Aurèle Nicolet, Thomas Brandis, Josef Ulsamer, Christiane Jaccottet's 'Les Goûts réunies: Concert No.9 in E - "Il Ritratto dell'amore": 5. La Vivacité' came out on January 1, 1976. The duration of Les Goûts réunies: Concert No.9 in E - "Il Ritratto dell'amore": 5. La Vivacité is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Les Goûts réunies: Concert No.9 in E - "Il Ritratto dell'amore": 5. La Vivacité's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 59 in Couperin: Nouveaux Concerts by François Couperin, Thomas Brandis, Heinz Holliger, Aurèle Nicolet, Josef Ulsamer, Laurenzius Strehl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Les Goûts réunies: Concert No.9 in E - "Il Ritratto dell'amore": 5. La Vivacité is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Goûts réunies: Concert No.9 in E - "Il Ritratto dell'amore": 5. La Vivacité by François Couperin, Aurèle Nicolet, Thomas Brandis, Josef Ulsamer, Christiane Jaccottet is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Major, Bryan G6: II. Andante molto grazioso | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | D Major | 0 | 10B | 74 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Sœur Monique: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | F Major | 1 | 7B | 71 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Héraclite|Démocrite|Diogène | François Couperin, Unknown, Lawrence Zazzo, Soraya Mafi, Víctor Sordo, Tercia Realidad, Jorge Jimenez | A Minor | 1 | 8A | 120 BPM |
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