- BPM
- 122
- Key
- C Minor
- Camelot
- 5A
Gnossienne No 1 Lent (Satie) - Thomas Adès Information
- Acousticness
- 99%
- Danceability
- 47%
- Energy
- 4%
- Instrumentalness
- 89%
- Liveness
- 11%
- Loudness
- 64%
- Speechiness
- 10%
- Valence
- 8%
- Popularity
- 11%
- Loudness
- -21.793 dB
Summary
"Gnossienne No 1 Lent (Satie)" by Thomas Adès was released on December 14, 2018. With Gnossienne No 1 Lent (Satie) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 16 out of 26 in Colette (Original Motion Picture Soundtrack) by Thomas Adès. Based on our statistics, Gnossienne No 1 Lent (Satie)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Gnossienne No 1 Lent (Satie) BPM
The tempo marking of Gnossienne No 1 Lent (Satie) by Thomas Adès is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Gnossienne No 1 Lent (Satie) Key
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orfeo ed Euridice, Wq. 30: Melodie (Arr. F. Kreisler for Violin & Piano) | Christoph Willibald Gluck, Elena Urioste, Tom Poster | D Minor | 0 | 7A | 84 BPM | |
 | Concord | Benjamin Britten, Matthew Barley | B♭ Major | 0 | 6B | 167 BPM | |
 | On an Overgrown Path, Series I: Words Fail! | Leoš Janáček, Thomas Adès | E♭ Minor | 0 | 2A | 112 BPM | |
 | Souvenir d'un lieu cher, Op. 42: III. Mélodie | Pyotr Ilyich Tchaikovsky, Charlie Siem, Paul Goodwin | E♭ Major | 1 | 5B | 78 BPM | |
 | The Origin of the Harp, Op.13 (1994): III. Spettrale | Thomas Adès, Lynsey Marsh, Barnaby Robson, Paul Richards, Judith Busbridge, Susan Knight, Richard Benjafield, Louise Hopkins, Paul Watkins, Jonathan Tunnell, James Boyd | A♭ Minor | 1 | 1A | 80 BPM | |
 | Transit of Venus | Joby Talbot, Christopher Austin, Royal Liverpool Philharmonic Orchestra | G Minor | 0 | 6A | 164 BPM | |
 | Winterreise, Op. 89, D. 911: No. 2, Die Wetterfahne | Franz Schubert, Ian Bostridge, Thomas Adès | C Major | 2 | 8B | 43 BPM | |
 | Pohádka, JW 7/5 "A Tale": II. Con moto | Leoš Janáček, Steven Isserlis, Thomas Adès | F♯ Major | 1 | 2B | 136 BPM | |
 | Solemn Love | Esther Yoo, BBC National Orchestra Of Wales, Dan Jones | B Minor | 1 | 10A | 89 BPM | |
 | Pride & Prejudice Suite: Dawn | Dario Marianelli, Jean-Yves Thibaudet | C Major | 1 | 8B | 86 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7428457736968994
End: 0.7469580173492432