Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's ' "La Cenerentola / Act 1: "Sappiate che fra poco"" was released on its scheduled release date, January 1, 1993. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 1: "Sappiate che fra poco"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Cenerentola / Act 1: "Sappiate che fra poco" by Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier / Act 3: Sì, fui soldato .. Passa la vita mia | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | A♭ Major | 3 | 4B | 122 BPM | ||
Stabat Mater RV 621 : Fac ut ardeat | Coro Canticum Novum, Accademia Barocca Hermans di Fabio Ciofini, Gloria Banditelli | D♭ Major | 2 | 3B | 114 BPM | ||
Rigoletto / Act 2: Cortigiani, vil razza dannata | Giuseppe Verdi, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D♭ Major | 1 | 3B | 80 BPM | ||
Il Trovatore / Act 1: "Tacea la notte" - "Quanto narrasti di turbamento" | Giuseppe Verdi, Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 165 BPM | ||
Les Contes d'Hoffmann / Act 2: "Ils se sont éloignés, enfin!" | Jacques Offenbach, Plácido Domingo, Edita Gruberova, Orchestre National De France, Seiji Ozawa | G Minor | 0 | 6A | 74 BPM | ||
Farnace, RV 711, Act I, Scene 8: A sorprendermi il cor, bella Selinda: (Aquilio, Selinda) | Antonio Vivaldi, Le Concert Des Nations, Jordi Savall, Fulvio Bettini, Gloria Banditelli | A♭ Major | 3 | 4B | 179 BPM | ||
Stabat Mater: XI: Inflammatus et accensus | Giovanni Battista Pergolesi, Monika Frimmer/Gloria Banditelli/Westfälische Kantorei/Capella Agostino Steffani/Lajos Rovatkay, Lajos Rovatkay | A Major | 1 | 11B | 115 BPM | ||
Falstaff / Act II: Signore, v'assista il cielo! | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
La Maddalena penitente, Parte prima "Il trionfo della gratia": Perché tù mi fuggi (Duetto) | Alessandro Scarlatti, Silvia Picollo, Gloria Banditelli, Europa Galante, Fabio Biondi | B Major | 0 | 1B | 64 BPM | ||
L'elisir d'amore / Act 1: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | A Major | 2 | 11B | 109 BPM |