"Flute Sonata in E Minor, Op. 167 "Undine": IV. Finale. Allegro molto agitato ed appassionato" by Carl Reinecke, Lilja Steininger, Erika Le Roux was released on January 21, 2022. Since Flute Sonata in E Minor, Op. 167 "Undine": IV. Finale. Allegro molto agitato ed appassionato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Sage und Mythos". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. The popularity of Flute Sonata in E Minor, Op. 167 "Undine": IV. Finale. Allegro molto agitato ed appassionato is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Sonata in E Minor, Op. 167 "Undine": IV. Finale. Allegro molto agitato ed appassionato by Carl Reinecke, Lilja Steininger, Erika Le Roux having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nutcracker Suite, Op. 17a (Arr. Solo Piano by Giorni): Dance of the Reed Flutes (Danse Des Mirlitons) - Duo-Art 6132 | Pyotr Ilyich Tchaikovsky, Aurelio Giorni, Peter Phillips | D Major | 1 | 10B | 74 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Scherzo No. 3 in C Sharp Minor, Op. 39 | Frédéric Chopin, Ivo Pogorelich | D♭ Major | 1 | 3B | 67 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | ||
Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 119 BPM | ||
Devienne: Flute Concerto No. 7 in E Minor: II. Adagio | Francois Devienne, Emmanuel Pahud, Kammerorchester Basel, Giovanni Antonini | G Major | 0 | 9B | 84 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM |
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