Peter Deunov, Monte-Carlo Philharmonic Orchestra made "Beauty and Flexibility" available on July 15, 2008. The duration of Beauty and Flexibility is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Beauty and Flexibility's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Peter Deunov: Paneurhythmy, Cosmic Supreme Rhythm". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Bulgaria. Beauty and Flexibility is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Beauty and Flexibility by Peter Deunov, Monte-Carlo Philharmonic Orchestra having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wege zu dir - Wege zu mir | Dick Le Mair | F Major | 3 | 7B | 122 BPM | ||
Las mil y una noche: 1. La primera noche | Juan Pablo Fernández Ramos | D Minor | 1 | 7A | 69 BPM | ||
Rachmaninoff Symphony No. 2 | HAUSER | E♭ Major | 3 | 5B | 77 BPM | ||
Cello's Lullaby | Miljan Minic, Strings Above the Sky | D Minor | 1 | 7A | 110 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Scarlett in the Mist: II. Leaving Home | Milo Paulus | F♯ Major | 3 | 2B | 83 BPM | ||
Les joues de la Joconde : Mona | Gregory Charles | C Major | 1 | 8B | 163 BPM | ||
Lachrimae Amantis Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Sånger å de Osjungnas Vägnar: VI. Final Osjungen: II | Per Egland, Christian Lindberg, Wermland Opera Orchestra | E♭ Major | 10 | 5B | 89 BPM | ||
Die Walküre, WWV 86B: Ride of the Valkyries (Excerpt) | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | B Minor | 2 | 10A | 95 BPM |
Section: 0.6791810989379883
End: 0.6846599578857422