Johann Sebastian Bach, Simone Dinnerstein made "Invention No. 6 in E Major, BWV 777" available on January 17, 2014. The duration of Invention No. 6 in E Major, BWV 777 is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Invention No. 6 in E Major, BWV 777's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 30 in Bach: Inventions & Sinfonias by Johann Sebastian Bach, Simone Dinnerstein. Based on our statistics, Invention No. 6 in E Major, BWV 777's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Invention No. 6 in E Major, BWV 777 by Johann Sebastian Bach, Simone Dinnerstein is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto "The Circle and the Child": II. Chorale and Child | Philip Lasser, Simone Dinnerstein, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | D Minor | 0 | 7A | 74 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre, Livre IV, 22e ordre: VII. Les Tours de passe-passe | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 131 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. "Wie wunderbarlich ist doch diese Strafe!" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | A♭ Major | 1 | 4B | 74 BPM | ||
Handel: Keyboard Suite in D Minor, HWV 428: III. Allemande | George Frideric Handel, Sviatoslav Richter | F Minor | 2 | 4A | 128 BPM | ||
Concerto for Violoncello and Orchestra in A minor, WD 789: II. Larghetto | Andrea Teodoro Zani, Sol Gabetta, Andrés Gabetta | B♭ Minor | 1 | 3A | 74 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Tianqi Du, Academy of St. Martin in the Fields, Jonathan Bloxham | A♭ Major | 0 | 4B | 99 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.20 in A minor BWV865 | Daniel Barenboim | A Minor | 1 | 8A | 116 BPM |
Section: 0.5654535293579102
End: 0.5694165229797363