"Die Ruinen von Athen (The Ruins of Athens), Op. 113: Turkish March (arr. for piano)" by Anonymous, Ludwig van Beethoven, Josef Hofmann was released on January 4, 2011. The duration of Die Ruinen von Athen (The Ruins of Athens), Op. 113: Turkish March (arr. for piano) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Die Ruinen von Athen (The Ruins of Athens), Op. 113: Turkish March (arr. for piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Piano Rolls and Discs, Selected Comparisons (1927)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Die Ruinen von Athen (The Ruins of Athens), Op. 113: Turkish March (arr. for piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Ruinen von Athen (The Ruins of Athens), Op. 113: Turkish March (arr. for piano) by Anonymous, Ludwig van Beethoven, Josef Hofmann having a BPM of 50 with a half-time of 25 BPM and a double-time of 100 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pax in nomine domini! | Marcabru, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 170 BPM | ||
Il desiderio: No. 3, Morir non può il mio cuore | Maddalena Casulana, Singer Pur | F Minor | 0 | 4A | 67 BPM | ||
Viderunt omnes No. 1: Notum fecit... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 79 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Rorando coeli | Jan Campanus Vodnansky, Pro Musica, Szabó Dénes | A Major | 0 | 11B | 83 BPM | ||
Kyrie fons bonitatis. Tropo (Modo III) - Remasterizado | Anonymous, Coro De Monjes Del Monasterio De Silos, Ismael Fernandez De La Cuesta | B♭ Minor | 9 | 3A | 110 BPM | ||
Messe de la toussaint : Introit gaudeamus psaume | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F Major | 0 | 7B | 134 BPM | ||
Aeterne rerum conditor | Schola gregoriana mediolanensis | F♯ Major | 0 | 2B | 68 BPM | ||
Requiem aeternam | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | E♭ Major | 2 | 5B | 174 BPM |
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