Jascha Heifetz, Jean-Philippe Rameau, Itzhak Perlman, Samuel Sanders made "Rameau: Dardanus, RCT 35, Act 1: Premier rigaudon (Arr. for Violin and Piano by Jascha Heifetz)" available on October 3, 2005. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #24 out of 46 tracks. The popularity of Rameau: Dardanus, RCT 35, Act 1: Premier rigaudon (Arr. for Violin and Piano by Jascha Heifetz) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Rameau: Dardanus, RCT 35, Act 1: Premier rigaudon (Arr. for Violin and Piano by Jascha Heifetz) by Jascha Heifetz, Jean-Philippe Rameau, Itzhak Perlman, Samuel Sanders has a tempo of 177 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Rameau: Dardanus, RCT 35, Act 1: Premier rigaudon (Arr. for Violin and Piano by Jascha Heifetz) being at 177 BPM, the half-time would be 88 BPM with a double-time of 354 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polonaise de Concert in D Major, Op. 4 | Henryk Wieniawski, Joshua Bell, Peter Dugan | D Major | 2 | 10B | 98 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 2 | 11A | 69 BPM | ||
3 Preludes (arr. J. Heifetz): No. 2. Andante con moto e poco rubato | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | D♭ Major | 1 | 3B | 97 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Scottish Fantasy/Schottische Fantasie, Op. 46: Finale: Allegro guerriero | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz, Osian Ellis | E♭ Major | 2 | 5B | 111 BPM | ||
Chaconne in G Minor - 1948 | Jascha Heifetz | E♭ Major | 1 | 5B | 71 BPM | ||
Mozart: Violin Concerto No. 5 in A Major, K. 219 "Turkish": I. Allegro aperto | Wolfgang Amadeus Mozart, Jascha Heifetz, London Philharmonic Orchestra, Sir John Barbirolli | A Major | 1 | 11B | 126 BPM | ||
Capriccio-valse for Violin and Piano in E Major, Op. 7 | Henryk Wieniawski, Jascha Heifetz | E Major | 1 | 12B | 135 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM |
Section: 0.9738466739654541
End: 0.9786996841430664