"The Sacred Grove" by Nadaka was released on 2000. The Sacred Grove appears to be safe for all ages as it is not explicit. The track order of this song in Nadaka's "Musiques des disciplines de l'âme: méditation 1" album is number 6 out of 9. The Sacred Grove is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Sacred Grove by Nadaka to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
inner universe, Pt. 3 | Mitsch Kohn, Davinia Leonne, Rejana Woock | B Major | 0 | 1B | 74 BPM | ||
Homage | Shantala, Alam Khan | B♭ Major | 1 | 6B | 47 BPM | ||
Chaahat Ki Raah Mein | Chunder Bakshi | D♭ Major | 1 | 3B | 70 BPM | ||
Divine Love | Sounds of Optimism, Deepesh Sanmal | A♭ Minor | 1 | 1A | 69 BPM | ||
Mahal Recall | Al Gromer Khan | D♭ Major | 0 | 3B | 131 BPM | ||
Blossom | Sounds of Optimism, Deepesh Sanmal | A♭ Minor | 2 | 1A | 96 BPM | ||
Nature Spirits | Devakant | A Minor | 2 | 8A | 124 BPM | ||
Bija Mantras-Watering the Seeds | Jai Uttal, Ben Leinbach | E Major | 2 | 12B | 64 BPM | ||
The Escape | Shaban Hashmi | C Major | 1 | 8B | 89 BPM | ||
Holy Ma | Shantala | F Major | 2 | 7B | 114 BPM |
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