"Johannespassion, BWV 245, Pt. 2 No. 19: Betrachte, meine Seel', mit ängstlichem Vergnügen (Arioso - Bass)" by Johann Sebastian Bach, Karl Christian Kohn, Karl Forster, Berliner Symphoniker was released on January 18, 2021. The duration of Johannespassion, BWV 245, Pt. 2 No. 19: Betrachte, meine Seel', mit ängstlichem Vergnügen (Arioso - Bass) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Johannespassion, BWV 245, Pt. 2 No. 19: Betrachte, meine Seel', mit ängstlichem Vergnügen (Arioso - Bass)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work - Bach by Johann Sebastian Bach. The song's track number on the album is #250 out of 250 tracks. Johannespassion, BWV 245, Pt. 2 No. 19: Betrachte, meine Seel', mit ängstlichem Vergnügen (Arioso - Bass) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Johannespassion, BWV 245, Pt. 2 No. 19: Betrachte, meine Seel', mit ängstlichem Vergnügen (Arioso - Bass) by Johann Sebastian Bach, Karl Christian Kohn, Karl Forster, Berliner Symphoniker has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Johannespassion, BWV 245, Pt. 2 No. 19: Betrachte, meine Seel', mit ängstlichem Vergnügen (Arioso - Bass) being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Harpsichord in D Minor, BWV 1059r: II. Adagio | Johann Sebastian Bach, Combattimento | D Minor | 5 | 7A | 95 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Overture in G Minor, BWV 822: VII. Menuet III (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 115 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | B Major | 0 | 1B | 81 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM |
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