"Der Rosenkavalier, Op. 59, TrV 227, Act III: Ist ein Traum (Sophie, Octavian)" by Richard Strauss, Lotte Lehmann, Emanuel List, Friedrich Schorr, Dorothee Manski, Karl Laufkotter, Nicholas Massue, Doris Doe, Norman Cordon, Arnold Gabor, Erich Witte, Risë Stevens, New York Metropolitan Opera Chorus, New York Metropolitan Opera Orchestra, Artur Bodanzky was released on January 18, 1999. The duration of Der Rosenkavalier, Op. 59, TrV 227, Act III: Ist ein Traum (Sophie, Octavian) is about 3 minutes long, at 3:02. Based on our data, "Der Rosenkavalier, Op. 59, TrV 227, Act III: Ist ein Traum (Sophie, Octavian)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 54 in the song's album "Strauss, R.: Rosenkavalier (Der) (Lehmann / Stevens) (1939)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Hong Kong. Der Rosenkavalier, Op. 59, TrV 227, Act III: Ist ein Traum (Sophie, Octavian) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op. 59, TrV 227, Act III: Ist ein Traum (Sophie, Octavian) by Richard Strauss, Lotte Lehmann, Emanuel List, Friedrich Schorr, Dorothee Manski, Karl Laufkotter, Nicholas Massue, Doris Doe, Norman Cordon, Arnold Gabor, Erich Witte, Risë Stevens, New York Metropolitan Opera Chorus, New York Metropolitan Opera Orchestra, Artur Bodanzky having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35, TrV 184: Introduction - | Richard Strauss, Johannes Luthy, Frank-Michael Guthmann, SWR Symphony Orchestra, François-Xavier Roth | A Major | 1 | 11B | 88 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Arabella, Op. 79, TrV 263, Act II: Und du wirst mein Gebieter sein (Live) | Richard Strauss, Viorica Ursuleac, Hans Reinmar, Vienna State Opera Orchestra, Clemens Krauss | E Major | 3 | 12B | 75 BPM | ||
Salome, Op. 54 / Scene 2: "Ich will nicht bleiben" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | F♯ Minor | 1 | 11A | 90 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM |
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