"Inward" by TIMORPHENE was released on May 31, 2020. With Inward being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 11 in the song's album "Soft". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Arab Emirates. Based on our statistics, Inward's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Inward by TIMORPHENE having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tales from the Vienna Woods, Op. 325 | Royal Philharmonic Orchestra | F Major | 1 | 7B | 94 BPM | ||
Flying Colours | Christopher Slaski | E Major | 3 | 12B | 103 BPM | ||
Frühlingsstimmen, Op. 410 - Instrumental | Johann Strauss II, Eugene Ormandy, Philadelphia Orchestra | B♭ Major | 3 | 6B | 91 BPM | ||
Your Honor End Credits | Volker Bertelmann | C Minor | 0 | 5A | 71 BPM | ||
Bach: Solo Cello Suite No. 1 in G Major (BWV 1007)---Prelude | Charles Curtis | G Major | 1 | 9B | 95 BPM | ||
Sarabanda dal IV Concerto dei Concerts | Armonie Symphony Orchestra | D Minor | 1 | 7A | 59 BPM | ||
Piano Sonata No. 11 in A Major, K. 331: III. Alla turca: Allegretto | Wolfgang Amadeus Mozart, Ronald Brautigam | A Major | 4 | 11B | 116 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras | G Minor | 2 | 6A | 117 BPM | ||
Fred At The End (contains interpolations of "It's You I Like") | Nate Heller | G Minor | 2 | 6A | 85 BPM | ||
"Capricci" Opera 1 per Violino solo: Capriccio n. 2 in Si minore | Vincenzo Bolognese, Luisa Prayer, Camerata Strumentale di Santa Cecilia | B Minor | 1 | 10A | 85 BPM |
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