Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack's 'Quadrille ohne Titel, Op. 248' came out on December 3, 2013. With this song being about 5 minutes long, at 5:06, "Quadrille ohne Titel, Op. 248" by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Strauss I, Christian Pollack, Slovak Sinfonietta, Zilina's "Johann Strauss I Edition, Vol. 25" album is number 8 out of 10. Quadrille ohne Titel, Op. 248 is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Quadrille ohne Titel, Op. 248 by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Act II: Allegro moderato: Coda | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 134 BPM | ||
Chineser-Galopp, Op. 20 | Johann Strauss I, Wiener Biedermeier Solisten | A Minor | 2 | 8A | 152 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 0 | 5A | 71 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Wilhelm Tell-galoppe, Op. 29b | Slovak Sinfonietta, Zilina, Johann Strauss I | F♯ Minor | 3 | 11A | 146 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Mozart: Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 117 BPM | ||
Hietzinger Reunion, Op. 24: Hietzinger Reunion (Waltz), Op. 24 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 1 | 12B | 170 BPM |
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