Louise Farrenc, Sheila Arnold made "30 Etudes dans tous les tons majeurs et mineur, Op. 26: No. 10 in F-Sharp Minor, Adagio" available on April 2, 2004. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 43 in the song's album "Thème varié". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Germany. 30 Etudes dans tous les tons majeurs et mineur, Op. 26: No. 10 in F-Sharp Minor, Adagio is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 30 Etudes dans tous les tons majeurs et mineur, Op. 26: No. 10 in F-Sharp Minor, Adagio by Louise Farrenc, Sheila Arnold having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Piano Concerto in A Major: III. Allegro assai | Marianna Martines, Melani Mestre, Orquesta Filarmonía Ibérica | A Major | 1 | 11B | 89 BPM | ||
Impromptu No. 2 in F-Sharp Major, Op. 36: Andantino | Frédéric Chopin, Stanislav Bunin | F♯ Major | 0 | 2B | 68 BPM | ||
Piano Trio No. 4 in E Minor, Op. 45 (Version for Flute, Cello & Piano): III. Scherzo. Vivace - Poco più sostenuto | Louise Farrenc, Linos Ensemble | C Major | 1 | 8B | 147 BPM | ||
L'Engageante: 13ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 75 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Farrenc: Symphony No. 2 in D Major, Op. 35: II. Andante | Louise Farrenc, Laurence Equilbey, Insula Orchestra | C Major | 1 | 8B | 75 BPM |
Section: 0.639620304107666
End: 0.6438765525817871