Arthur Fiedler, Boston Pops Orchestra made "Deep in the Heart of Texas" available on July 4, 1968. The duration of Deep in the Heart of Texas is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Deep in the Heart of Texas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Pops Goes West". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Deep in the Heart of Texas's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Deep in the Heart of Texas by Arthur Fiedler, Boston Pops Orchestra having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hard Work and Horseplay - 1992 Remastered | Robert Russell Bennett | D♭ Major | 2 | 3B | 78 BPM | ||
Ritual Fire Dance | Manuel de Falla, Arthur Fiedler | F Major | 2 | 7B | 138 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Bells across the Meadows | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 136 BPM | ||
Alexander's Ragtime Band | Irving Berlin, I Salonisti, James Horner | F Major | 1 | 7B | 171 BPM | ||
Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
Viktor's Tale (from "The Terminal") | Boston Pops Orchestra, Keith Lockhart | C Minor | 1 | 5A | 99 BPM | ||
March (From "1941") | John Williams, Boston Pops Orchestra | A Minor | 0 | 8A | 67 BPM | ||
Rodeo: No. 5, Hoe-Down | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 2 | 10B | 127 BPM | ||
The Men of the Yorktown March (from "Midway") | Boston Pops Orchestra, Keith Lockhart | C Major | 2 | 8B | 86 BPM |
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