Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's 'Mathis Der Maler, 2nd Tableau, Scene 4: Rom verzieh oft, was ihr euch an Freiheit nahmt (Pommersfelden/Albrecht/Capito)' had a release date set for April 1, 1995. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 17 out of 61. Mathis Der Maler, 2nd Tableau, Scene 4: Rom verzieh oft, was ihr euch an Freiheit nahmt (Pommersfelden/Albrecht/Capito) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mathis Der Maler, 2nd Tableau, Scene 4: Rom verzieh oft, was ihr euch an Freiheit nahmt (Pommersfelden/Albrecht/Capito) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | ||
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Belcea Quartet | F♯ Major | 0 | 2B | 113 BPM | ||
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
String Quartet No.8 In C Minor, Op.110: 1. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | C Major | 0 | 8B | 60 BPM | ||
Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Martin Fröst | G Major | 0 | 9B | 131 BPM | ||
Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: III. Variationen über "Seid ihr nicht der Schwanendreher" | Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 90 BPM | ||
Kammermusik Nr.2: Sehr langsame Achtel - Etwa doppelt so schnell - Im ersten Zeitmass (doffelt so langsam) | Paul Hindemith, Lars Vogt, Claudio Abbado, Berliner Philharmoniker | D♭ Minor | 1 | 12A | 97 BPM | ||
Petrushka, K12 (1947 Version): Ib. Russian Dance | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
3 Places in New England: No. 1 The "St. Gaudens" in Boston Common (Col. Shaw and his Colored Regiment) | Charles Ives, Orpheus Chamber Orchestra, Gilbert Kalish | A Minor | 0 | 8A | 75 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM |