Mario Castelnuovo-Tedesco, Andrés Segovia's 'Capriccio diabolico, Op. 85, "Homage to Paganini"' came out on 1954. Since Capriccio diabolico, Op. 85, "Homage to Paganini" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "The Golden Years of Andres Segovia (1952-1954)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Capriccio diabolico, Op. 85, "Homage to Paganini" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Capriccio diabolico, Op. 85, "Homage to Paganini" by Mario Castelnuovo-Tedesco, Andrés Segovia having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gita no tame no juni no uta (12 Songs for Guitar): No. 5. Lennon / McCartney: Here, There and Everywhere | Toru Takemitsu, Shin-ichi Fukuda | G Major | 0 | 9B | 94 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM | ||
Canción y danza I (transcribed by James Beneteau/Marco Ramelli) | Federico Mompou, Marco Ramelli | A Major | 1 | 11B | 124 BPM | ||
Preludios de primavera: III. Homenaje a Tchaikovsky | Joaquin Clerch, Andrea González Caballero | G Major | 0 | 9B | 77 BPM | ||
De Visée / Transcr. Garcia: Pèces de théorbe et de luth, Suite en la mineur: I. Prélude | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 85 BPM | ||
El Negrito | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 82 BPM | ||
Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): IV. Vivace | Georg Philipp Telemann, Andrew York, Scott Tennant, John Dearman, Bill Kanengiser, Los Angeles Guitar Quartet | A Major | 1 | 11B | 126 BPM | ||
Carcassi Op.60 N.4 Allegretto | Matteo Carcassi, Lucio Matarazzo | D Major | 4 | 10B | 98 BPM | ||
Cádiz | Isaac Albéniz, David Russell | C Major | 1 | 8B | 140 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM |
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