"Triste Espana (version 1)" by Juan del Encina, Atrium Musicae de Madrid, Gregorio Paniagua was released on January 28, 1986. With Triste Espana (version 1) being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Atrium Musicae de Madrid, Gregorio Paniagua's "Madrid Atrium Musicae: Three Centuries of La Spagna" album is number 10 out of 32. Triste Espana (version 1) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Triste Espana (version 1) by Juan del Encina, Atrium Musicae de Madrid, Gregorio Paniagua to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
J’avois juré l’autre jour / Acis et Galatée, Prologue: Rigaudon / Suitte du Rigaudon / Double du Rigaudon fait par Mr Couprain | Bertrand de Bacilly, Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
Contrapollinopolis | Aulites | G Major | 2 | 9B | 101 BPM | ||
De tous bien plaine: I. | Hayne van Ghizegem, Hester Groenleer | F♯ Major | 1 | 2B | 141 BPM | ||
Missa Virginis Mariae: VIII. Ite, missa est | Claudio Merulo, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | G Minor | 2 | 6A | 94 BPM | ||
Spanieler | Hans Kotter, Atrium Musicae de Madrid, Gregorio Paniagua | D Minor | 1 | 7A | 173 BPM | ||
In Nomine | Thomas Tallis, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 93 BPM | ||
J'ai mon cuer | Ensemble Project Ars Nova | A Minor | 0 | 8A | 0 BPM | ||
Bransle Loraine, TMA18 | Michael Praetorius, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 93 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM |
Section: 0.5873870849609375
End: 0.5907332897186279