"Trad : Karjalan kunnailla [Karelian Spring]" by Martti Pokela, Eeva-Leena Sariola, Matti Kontio was released on 1978. With Trad : Karjalan kunnailla [Karelian Spring] being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vanha ja uusi kantele by Martti Pokela, Eeva-Leena Sariola, Matti Kontio. The song's track number on the album is #3 out of 16 tracks. In terms of popularity, Trad : Karjalan kunnailla [Karelian Spring] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Trad : Karjalan kunnailla [Karelian Spring] by Martti Pokela, Eeva-Leena Sariola, Matti Kontio has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Trad : Karjalan kunnailla [Karelian Spring] being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Limu limu lima, Solvejgs Lied (Arr. for Saxophone & Organ) | Pipes and Phones, Peter Schindler, Peter Lehel | E Minor | 1 | 9A | 62 BPM | ||
Titania | Wilhelm Peterson-Berger, Tomas Blank In Harmony | G Minor | 1 | 6A | 86 BPM | ||
夕景 | 栗コーダーカルテット | G Major | 2 | 9B | 113 BPM | ||
Nuku nuku nurmilintu | Barbora Xu | G Major | 2 | 9B | 130 BPM | ||
Sonata in G Minor, Kk. 8: I. Sarabande (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Kuulin Anen | MeNaiset | B Major | 1 | 1B | 74 BPM | ||
Trattado de glosas: Recercada Doulce Memoire | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Bonden Og Haren | Herluf Donslund | F♯ Minor | 0 | 11A | 109 BPM | ||
Traditional Celtic Folksong "Irish Washerwoman" (Fipple Flute) | John Story | B Minor | 0 | 10A | 94 BPM | ||
3 Duetti per flauto traverso e chitarra, Op. 4: II. Duetto in G Major: II. Polacca allegro (Recomposed for Flute Solo by Luca Astolfoni Fossi) | Ferdinando Carulli, Claudio Ferrarini | G Major | 2 | 9B | 62 BPM |
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