Calls From The Other Side of a Dream
Jeri Brown, Tony Suggs, Avery Sharpe, Wali Muhammad, Seamus Blake, Andre Martin, Erich Kory
Firm Roots
4:35 April 8, 2003
BPM
160
Key
A Major
Camelot
11B

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Calls From The Other Side of a Dream - Jeri Brown, Tony Suggs, Avery Sharpe, Wali Muhammad, Seamus Blake, Andre Martin, Erich Kory Information

Acousticness
92%
Danceability
18%
Energy
23%
Instrumentalness
92%
Liveness
32%
Loudness
69%
Speechiness
3%
Valence
4%
Popularity
Loudness
-18.361 dB

Summary

"Calls From The Other Side of a Dream" by Jeri Brown, Tony Suggs, Avery Sharpe, Wali Muhammad, Seamus Blake, Andre Martin, Erich Kory was released on April 8, 2003. With this song being about 5 minutes long, at 4:35, "Calls From The Other Side of a Dream" by Jeri Brown, Tony Suggs, Avery Sharpe, Wali Muhammad, Seamus Blake, Andre Martin, Erich Kory is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 12 in Firm Roots by Jeri Brown. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. The popularity of Calls From The Other Side of a Dream is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Calls From The Other Side of a Dream BPM

The tempo marking of Calls From The Other Side of a Dream by Jeri Brown, Tony Suggs, Avery Sharpe, Wali Muhammad, Seamus Blake, Andre Martin, Erich Kory is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.

Calls From The Other Side of a Dream Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

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ISRC
CAJ220215440
Label
L-M Records/RCA Records

Section: 0.13947200775146484

End: 0.14432692527770996