"Five Poems: Happy Birds" by Karel Husa, Sato Moughalian, Matthew Sullivan, Edward R. Gilmore, Barbara Oldham, Laura Koepke was released on January 1, 2004. The duration of Five Poems: Happy Birds is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Five Poems: Happy Birds's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Karel Husa, Quintet Of The Americas's "Karel Husa: Recollections" album is number 4 out of 16. On top of that, United States appears to be the country where this track was created. Five Poems: Happy Birds is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Five Poems: Happy Birds by Karel Husa, Sato Moughalian, Matthew Sullivan, Edward R. Gilmore, Barbara Oldham, Laura Koepke to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wine-Dark Sea (Symphony for Band): II. Immortal thread, so weak | John Mackey, The University of Texas Wind Ensemble, Jerry Junkin | B♭ Minor | 0 | 3A | 77 BPM | ||
Sonatine Tango for Bassoon and Piano: I. Violent et animé | Pierre Max Dubois, Bram van Sambeek, Ellen Corver | A Minor | 1 | 8A | 133 BPM | ||
Symphony No. 4: Fourth Movement: Chorale | Lee Rogers, Javier Colomer, Jessica Buzbee | E Major | 0 | 12B | 69 BPM | ||
Concerto for Wind Ensemble: IV. Soul | Kevin Day, ASU Wind Ensemble, Jason Caslor | B♭ Major | 1 | 6B | 134 BPM | ||
Petrushka, K12 (1947 Version): IVj. Apparition of Petrushka's Ghost | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
Consolation | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Trittico: III. Allegro marcato | Václav Nelhýbel, Dallas Wind Symphony, Frederick Fennell | G Minor | 3 | 6A | 81 BPM | ||
Tuba Concerto: I. Allegro deciso | Edward Gregson, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 110 BPM |
Section: 0.6354010105133057
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