"Missa Pontificalis (secunda): Kyrie" by Lorenzo Perosi, Coro Polifonico Castelbarco di Avio, I Virtuosi Italiani, Arturo Sacchetti was released on August 1, 2013. Missa Pontificalis (secunda): Kyrie is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Perosi: Missa pontificals & Messa a due voci dispari". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. Missa Pontificalis (secunda): Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Pontificalis (secunda): Kyrie by Lorenzo Perosi, Coro Polifonico Castelbarco di Avio, I Virtuosi Italiani, Arturo Sacchetti having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Responsorios: Benedictus (a 4 v.m.) - Remastered | Schola Cantorum de la Universidad Pontificia de Comillas | E♭ Major | 5 | 5B | 115 BPM | ||
Tota pulchra es Maria | Lorenzo Perosi, Cappella Musicale del Duomo di Milano | B Minor | 2 | 10A | 77 BPM | ||
Sing Hallelujah | The Wessex Consort, Andrew King | F Major | 1 | 7B | 78 BPM | ||
On The Lines | Michelle Legauffe | C Major | 3 | 8B | 64 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
La passione di Cristo secondo San Marco (arr. M.E. Bossi for organ): Part I: Et hymno dicto | Marco Enrico Bossi, Lorenzo Perosi, Andrea Macinanti | G Major | 4 | 9B | 68 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Burial Sentences: IV. Man that is Born of a Woman | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | E♭ Major | 1 | 5B | 101 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: I. Adagio ma non troppo | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | F Major | 1 | 7B | 143 BPM |
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