Naomi Sagara's '別れ話は背中にしてね' came out on November 21, 2007. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ゴールデンベスト 忘れ得ぬ名唱・佐良直美, so we believe that "別れ話は背中にしてね" is a single. In terms of popularity, 別れ話は背中にしてね is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 別れ話は背中にしてね by Naomi Sagara is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ブルーライト・ヨコハマ | Ikuzo Yoshi | F♯ Minor | 6 | 11A | 108 BPM | ||
東京砂漠 | Kiyoshi Maekawa | D Major | 6 | 10B | 86 BPM | ||
君に捧げるほろ苦いブルース | Ichiro Araki | G Minor | 4 | 6A | 89 BPM | ||
よこはま・たそがれ | Hiroshi Itsuki | B♭ Minor | 4 | 3A | 106 BPM | ||
風は旅人 | 赤い鳥 | D Minor | 5 | 7A | 84 BPM | ||
雪が降る | Kiyohiko Ozaki | F Minor | 4 | 4A | 111 BPM | ||
なみだ船 | Saburo Kitajima | F Minor | 4 | 4A | 181 BPM | ||
花のかおりに | The Folk Crusaders | F Major | 4 | 7B | 88 BPM | ||
青い山脈 | Fujiyama Ichiro | D Major | 3 | 10B | 105 BPM | ||
竹田の子守唄 (シングル・バージョン) | 赤い鳥 | D♭ Minor | 3 | 12A | 128 BPM |
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