"Sonata I.X.: I. Foreboding" by Leoš Janáček, Håkon Austbø was released on 2006. Sonata I.X.: I. Foreboding is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Leoš Janáček, Håkon Austbø's "Janácek: Complete Piano Works" album is number 1 out of 39. On top of that, Netherlands appears to be the country where this track was created. Sonata I.X.: I. Foreboding is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata I.X.: I. Foreboding by Leoš Janáček, Håkon Austbø to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for String Orchestra, JW6 No. 2: V. Adagio | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B♭ Major | 0 | 6B | 89 BPM | ||
Scriabin - Etude Op.2 No.1 | Elena Kuschnerova | D♭ Minor | 0 | 12A | 69 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Moravian Folk Poetry in Songs, JW V/2: No. 12, Sweet Apple | Leoš Janáček, Iva Bittová, Škampa Quartet | B♭ Major | 3 | 6B | 126 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM |
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