Orfeon Donostiarra made "Introduccion y Disputa" available on May 17, 1991. The duration of Introduccion y Disputa is about 3 minutes long, at 3:21. Based on our data, "Introduccion y Disputa" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 24 Grandes Éxitos de Zarzuela, Vol. 1, so we believe that "Introduccion y Disputa" is a single. In terms of popularity, Introduccion y Disputa is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Introduccion y Disputa by Orfeon Donostiarra is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Los Gavilanes: "Palomita, palomita" | Coro Cantores de Madrid, Manuel Ausensi | G Major | 2 | 9B | 123 BPM | ||
Negra Sombra | Xoán Hermenegildo Montes Capón, Orfeon Donostiarra, Orquesta Sinfonica de Euskadi | A Major | 0 | 11B | 135 BPM | ||
Mors et Vita, une trilogie sacrée, Pars prima - Mors, Requiem: no.2 - "Dies irae" (Choeur) | Charles Gounod, Barbara Hendricks, Michel Plasson, Orchestre Du Capitole De Toulouse | E Major | 2 | 12B | 61 BPM | ||
Duruflé: Messe cum jubilo, Op. 11 (Version with Orchestra): I. Kyrie | Maurice Duruflé, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 89 BPM | ||
La Vida Breve, Act One, Tableau 1, Scene One: Ah! Ah! Ande la tarea! (Obreros en la fragua) | Manuel de Falla, Victoria de los Ángeles, Ines Rivadeneyra, Ana Maria Higueras, Carlo Cossutta, Victor De Narke, Orquesta Nacional De España, Juan De Andia, Jose Maria Higuero, Gabriel Moreno, Rafael Frühbeck de Burgos, Luis Villarejo | G Major | 0 | 9B | 74 BPM | ||
La Taberna del Puerto, Act II, Scene 4: Despierta Negro (Simpson, Tres marineros negros) | Pablo Sorozábal, Orquesta Sinfónica de Galicia, Victor Pablo Pérez, Enrique Ba, Orfeon Donostiarra, José Antonio Saenz | A♭ Major | 2 | 4B | 59 BPM | ||
Ortzean Izar Eder Bat | Gontzal Mendibil, Orquesta Sinfónica de Bratislava, Orfeon Donostiarra | C Major | 2 | 8B | 74 BPM | ||
España Cañí, Pasodoble | Pasodobles de España | A Major | 6 | 11B | 120 BPM | ||
Träumerei | Robert Schumann, Orfeon Donostiarra | F Major | 1 | 7B | 83 BPM | ||
Mors et Vita, une trilogie sacrée, Pars secunda - Judicium, Judex: no.4 - "Sedenti in Throno" (Choeur) | Charles Gounod, Orchestre du Capitole de Toulouse/Michel Plasson/ Orféon Donostiarra/Christoph Kuhlmann, Michel Plasson, Orchestre Du Capitole De Toulouse | E Major | 2 | 12B | 61 BPM |
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