Claude Delvincourt, Joël Versavaud, Laura Caravello's 'Croquembouches: XI. Negre en chemise' came out on September 4, 2015. The duration of Croquembouches: XI. Negre en chemise is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Croquembouches: XI. Negre en chemise's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 21 in Croquembouches by Joël Versavaud, Laura Caravello. Based on our statistics, Croquembouches: XI. Negre en chemise's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Croquembouches: XI. Negre en chemise by Claude Delvincourt, Joël Versavaud, Laura Caravello is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Agon: Double Pas de quatre | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | E Minor | 0 | 9A | 63 BPM | ||
Sonate pour basson, Op. 168: III. Adagio | Camille Saint-Saëns, Marc Trenel, Pascal Godart | C Major | 0 | 8B | 73 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Prélude, cadence et finale | Alfred Desenclos, Ivo Janssen, Arno Bornkamp | E♭ Minor | 1 | 2A | 85 BPM | ||
Violin Concerto: III. Passacaglia. Andante - Moderato - Più allegro - Allegro vivace - Subito presto - a tempo, minacciando - Allegro molto - Adagio - Più adagio - Ancora meno mosso | Steve Elcock, Zoë Beyers, Kenneth Woods, English Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
Violin Concerto No. 1: I. Moderato | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 1 | 9B | 122 BPM | ||
Trombone Concerto No. 12, Op. 52: Allegro moderato - | Vagn Holmboe, Jesper Juul Sorensen, Danish National Symphony Orchestra, Henrik Vagn Christensen | E Minor | 1 | 9A | 76 BPM | ||
Lindberg: Mandrake in the Corner: II Lento I | Christian Lindberg, ADDA Simfònica | G Major | 0 | 9B | 63 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM |
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