"Phone Call To Billie" by Elliot Goldenthal was released on January 1, 2009. With Phone Call To Billie being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Public Enemies". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Phone Call To Billie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Phone Call To Billie by Elliot Goldenthal having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Islay Hotel | Alberto Iglesias | B♭ Minor | 0 | 3A | 109 BPM | ||
Ground Zero | Terence Blanchard | A♭ Major | 1 | 4B | 63 BPM | ||
Quintus Returns | Ilan Eshkeri | D Minor | 1 | 7A | 77 BPM | ||
For Number Four and Anna | David Carbonara | C Minor | 1 | 5A | 107 BPM | ||
Don and Betty in Rome | David Carbonara | G Minor | 1 | 6A | 81 BPM | ||
Subterranean Slugfest | Elliot Goldenthal | E Minor | 5 | 9A | 80 BPM | ||
Deep In Thought | Clint Eastwood | F Major | 1 | 7B | 115 BPM | ||
Finale - Instrumental | Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra | F Minor | 1 | 4A | 71 BPM | ||
That's A Nice Day | Nick Glennie-Smith | F Minor | 2 | 4A | 87 BPM | ||
The Hope for Love | Maurizio Malagnini | A♭ Major | 2 | 4B | 67 BPM |
Section: 0.6554780006408691
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