"La muse menagere, Op. 245: La Mienne - Dedicace" by Darius Milhaud, Madeleine Milhaud, Alexandre Tharaud was released on November 3, 1995. With La muse menagere, Op. 245: La Mienne - Dedicace being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Darius Milhaud, Madeleine Milhaud, Alexandre Tharaud's "Milhaud: Saudades Do Brazil / La Muse Menagere / L'Album De Madame Bovary" album is number 13 out of 44. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, La muse menagere, Op. 245: La Mienne - Dedicace's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La muse menagere, Op. 245: La Mienne - Dedicace by Darius Milhaud, Madeleine Milhaud, Alexandre Tharaud to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concertino da camera: I. Allegro con moto | Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 1 | 7B | 69 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Eccles: Sonata in G Minor: III. Adagio | Mark Morton | G Minor | 0 | 6A | 140 BPM | ||
Sonata for Clarinet and Piano: 2. Romanza | Francis Poulenc, Karl Leister, James Levine | G Minor | 0 | 6A | 72 BPM | ||
Ibert: Jeux (Sonatine for Flute and Piano): II. Tendre | Jacques Ibert, Eric Le Sage | B Major | 1 | 1B | 80 BPM | ||
Une Journee Op. 269 - Le Crepuscule (Francoise Choveaux) | Darius Milhaud | D Major | 0 | 10B | 136 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM |
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