Benedetto Ferrari, Il Complesso Barocco/Alan Curtis's 'Il Sansone (Oratorio in due canti), Canto Secondo: Che festi, o Dio, che festi? (Testo)' came out on 2000. With Il Sansone (Oratorio in due canti), Canto Secondo: Che festi, o Dio, che festi? (Testo) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. Il Sansone (Oratorio in due canti), Canto Secondo: Che festi, o Dio, che festi? (Testo) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Secondo: Che festi, o Dio, che festi? (Testo) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
SV163: Lamento Della Ninfa | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Un dolce tormento | Claudio Monteverdi, Marco Beasley, Guido Morini, Accordone | C Major | 8 | 8B | 127 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Johannes-Passion, BWV 245.1: 30. Aria: Es ist vollbracht | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, Konrad Führer | A Minor | 2 | 8A | 125 BPM | ||
Cantata spirituale "Queste pungenti spine": II. Seconda parte | Benedetto Ferrari, Oslo Circles, Marianne Beate Kielland | A Major | 1 | 11B | 84 BPM | ||
Le Camus: On n'entend rien dans ce bocage | Sébastien Le Camus, Lea Desandre, Thomas Dunford | F♯ Minor | 0 | 11A | 66 BPM | ||
Handel: Theodora, HWV 68, Act 2: "With Darkness Deep, as Is My Woe" (Theodora) | George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre | E♭ Minor | 3 | 2A | 102 BPM |
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