"Horn Sonata No. 1, Op. 39, "A Litany": II. Libera nos, Domine" by Wolfgang Plagge, Javier Bonet, Anibal Banados was released on December 1, 2012. Since Horn Sonata No. 1, Op. 39, "A Litany": II. Libera nos, Domine is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 13 in A Litany for the 21st Century by Javier Bonet. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Horn Sonata No. 1, Op. 39, "A Litany": II. Libera nos, Domine is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Horn Sonata No. 1, Op. 39, "A Litany": II. Libera nos, Domine by Wolfgang Plagge, Javier Bonet, Anibal Banados is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Piano Concerto: III. Allegro con brio | Eivind Groven, Wolfgang Plagge, Trondheim Symphony Orchestra, Ole Kristian Ruud | B♭ Major | 1 | 6B | 111 BPM | ||
Alcazaba II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D Minor | 0 | 7A | 75 BPM | ||
Eventide: I. Introduzione | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 3 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Violin Concerto: III. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 2 | 8B | 85 BPM | ||
Concerto For Horn And Orchestra, Op.49: 3: Tarantella -Precipitato | Wolfgang Plagge, Trondheim Symphony Orchestra, Frøydis Ree Wekre | F♯ Major | 1 | 2B | 61 BPM | ||
Symphony No. 2: III. Allegro | Eivind Groven, Wolfgang Plagge, Trondheim Symphony Orchestra, Ole Kristian Ruud | C Major | 1 | 8B | 127 BPM |
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