Otis Redding, Carla Thomas made "Let Me Be Good to You" available on March 16, 1967. The duration of Let Me Be Good to You is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Let Me Be Good to You's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Otis Redding, Carla Thomas's "King & Queen" album is number 2 out of 11. In terms of popularity, Let Me Be Good to You is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Let Me Be Good to You by Otis Redding, Carla Thomas to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Don't Wanna Fuss | Sugar Pie DeSanto | A Major | 4 | 11B | 117 BPM | ||
Lonely Heartaches | Barbara Lynn | C Major | 3 | 8B | 102 BPM | ||
A Mellow Good Time | Lee Dorsey | F Major | 5 | 7B | 85 BPM | ||
Hot Fun in the Summertime | Sly & The Family Stone | C Major | 6 | 8B | 146 BPM | ||
Can't Live Without Her | Billy Butler | A♭ Major | 5 | 4B | 120 BPM | ||
Look at That Girl | Otis Redding | G Major | 4 | 9B | 118 BPM | ||
Mother-In-Law - Remastered | Ernie K-Doe | E♭ Major | 5 | 5B | 130 BPM | ||
My Whole World Ended (The Moment You Left Me) | David Ruffin | F Major | 7 | 7B | 110 BPM | ||
39-21-46 - 2002 Digital Remaster; 24 Bit Mastering | The Showmen | B♭ Major | 4 | 6B | 124 BPM | ||
He Called Me Baby | Ella Washington | D Major | 4 | 10B | 77 BPM |
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